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Kept alive until today by a very small number of chalgi Baghdad ensembles and through remaining shellac recordings, Iraqi maqam is a sophisticated musical genre from urban Iraq that developed in the 1920s‒1940s.
Dusty Streets and Hot Music in Baghdad: Iraqi Maqam Music and Chalgi Ensembles
Viewed alternately as both luxury and necessity, ice has been valued in warm climates for millennia. Technological advances altered methods of producing, storing, and using ice, but it remained a highly sought-after and regulated product well into the twentieth century.
Ice: Hidden Depths below the Surface
Salim Rashid Suri, an Omani ṣawt singer and oud player became famous as the ‘singing sailor’ and for developing a truly unique style, which took influence from musical sources across the Middle East and India.
The Singing Sailor, Salim Rashid Suri: A Ṣawt Musician from Oman
Though nowadays Qatar is well-known for its immense natural oil and gas reserves and the rapid modernisation of society, it has a rich heritage of music and dance intimately related to pearl-diving, sea trade and Bedouin traditions.
Modernity meets Tradition: Reflections on Traditional Music in Qatar
In the Sultanate of Oman, traditional music, poetry and dance are still part and parcel of everyday life and national celebrations alike.
Sea meets Desert: Reflections on Traditional Music in Oman
The removal of original backgrounds and inscriptions reveals a tension between the photographers ‘Abd al-Ghaffār and Snouck Hurgronje in terms of their process, approach to and outlook on photography.
From the Individual to the Archetypal: ‘Abd al-Ghaffār’s Edited Photographic Portraits
Pesta and Rifi Songs, which developed in the twentieth century from Iraqi maqam, became more popular because they were recorded on shellac and broadcast throughout Iraq in the mid-century.
Love and Separation in Baghdad: Pesta and Rifi Songs on Shellac Discs
While much remains unknown about the life of the first Meccan photographer, al-Sayyid ‘Abd al-Ghaffār, his 1880s photographs shed light on life in the holy city.
‘Abd al-Ghaffār: The First Meccan Photographer
Ṣawt, the urban music of the Arabian Peninsula and the Gulf, has evolved from diverse musical traditions, including sea music, and was profoundly influenced by Indian, African and classical Arabic music.
Sing, Play and Be Merry: The Unique Ṣawt Music of the Arabian Peninsula
With the oil industry booming in Bahrain in the early 1930s, BAPCO oil workers, amongst others, lobbied for the first cinemas to be established.
Priority Air Freight to Serve Bahrain’s First Cinemas
Kuwait has maintained a thriving traditional music culture; in particular bahri, or sea music, and ṣawt have remained at the heart of the music scene.
Hidden Treasures: Reflections on Traditional Music in Kuwait
Cultural appropriation was as much a part of empire as military force. The use of ‘Islamic’ seals by British colonial officials is one example of this.
Performing Authority: the ‘Islamic’ Seals of British Colonial Officers
A religious disagreement in 1930 between the Sultanate of Muscat and American missionaries in Muscat reveals more than just a battle for souls.
The Affair of the Muscat ‘Christian’ Widow
Early examples of watermarks in paper can display a variety of seemingly obscure imagery. What were these images attempting to communicate? Why were they used, and what is their significance?
The Imagery of Early Watermarks
An Islamic seal with an unusual bird design appears on a witness statement delivered by the Sheikh of Dubai to the British Resident in The Gulf, following a fatal gun battle in Dubai in 1910.
Guns ‘n’ Seals: An Unusual Seal indicates Cultural Influences in Dubai in 1910
Wherever British merchants, sailors, or officials went, they left behind permanent markers of their presence in the form of cemeteries and other memorials. These cemeteries often caused political and religious issues for both their creators and the rulers of the countries in which they were located.
The Politics of Death: British cemeteries in the Gulf Region
An enormous effort was made to translate almost all known Greek literature into Arabic during the 8th to 10th centuries, and Baghdad was at the centre of this work. Why was it that so many of the translators were Christians?
Why Were So Many of the Greek-Arabic Translators Christians?
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